Among the Trolls Original Soundtrack: Track List, Composer & Listening Guide
A complete guide to the Among the Trolls Original Soundtrack: track list, runtimes, composer Daniele Carmosino, vocal credits, and listening notes.
Why the Among the Trolls Original Soundtrack Deserves a Real Listen
Most game soundtracks get skipped. You hear them once in a menu and never open the folder again. The Among the Trolls Original Soundtrack is built to resist that habit. Released on October 14, 2026 — the same day the game itself launched — the Among the Trolls Original Soundtrack spends its full runtime inside the head of one character, Anna, rather than describing the forest around her.
That single decision shapes everything about how the album sounds. It's the reason the score works as a standalone listen instead of a souvenir, and it's the reason a twelve-track album about a myth-soaked wilderness contains almost none of the instruments you'd expect.
If you're deciding whether it's worth your time or your money, the short answer is yes — provided you know what you're buying. The longer answer involves a composer, a featured vocalist, twelve tracks, and a very deliberate set of creative choices. Here's all of it.
What You Actually Get: Format, Price, and Requirements
The release is a downloadable soundtrack rather than a full album rollout. That distinction matters, because it affects both the price and what lands in your library.
| Detail | Information |
|---|---|
| Title | Among the Trolls Original Soundtrack |
| Type | Downloadable soundtrack (additional content) |
| Developer | Avantgarden SRL |
| Composer / Artist | Daniele Carmosino |
| Featured Vocalist | Maria Chiara Argirò (three tracks) |
| Label | 505 Games |
| Franchise | 505 Pulse |
| Release Date | October 14, 2026 |
| Price | $3.99 |
| Track Count | 12 |
| Total Runtime | Roughly 40 minutes (39:46 by the listed runtimes) |
| Requires Base Game | No — sold separately, but the base game is not included |
The most important thing to understand before buying is that this is additional content. Purchasing the soundtrack does not get you the game. If all you want is the music, that's fine — the album stands on its own. If you assumed the soundtrack bundle included Among the Trolls itself, you'll want to check that before checkout.
One more practical note: at launch the store page showed no user reviews, so there is no community consensus to lean on yet. Community reports will fill in over time. At under four dollars for roughly forty minutes of music, the downside is limited either way.
Who Made the Among the Trolls Original Soundtrack
The score is the work of a single composer rather than a rotating team, which is part of why it holds together so well across its twelve tracks.
| Role | Name or Entity | What They Did |
|---|---|---|
| Composer & Artist | Daniele Carmosino | Wrote, arranged, and performed the score |
| Featured Vocalist | Maria Chiara Argirò | Provides vocals on three tracks |
| Label | 505 Games | Label behind the release |
| Developer | Avantgarden SRL | Studio behind Among the Trolls |
| Franchise | 505 Pulse | Banner the soundtrack is published under |
A single composer working from a deliberately small palette tends to produce a record with a recognizable identity, and that's exactly what happens here. Carmosino isn't chasing variety for its own sake. He's building one texture and then slowly bending it.
The vocal contributions are worth calling out separately, because they're the album's most memorable element. Argirò appears on three tracks: "Endless Exile," "A Place I Almost Know," and "Teach Me to Disappear." The first of those is the standout — a slow, smoky piece that leans hard into the mood of classic Bristol trip-hop. If you sample only one track before buying, sample that one.
Full Track Listing for the Among the Trolls Original Soundtrack
Here's the complete running order, with runtimes and vocal credits.
| # | Track Title | Runtime | Vocal |
|---|---|---|---|
| 1 | Landing | 2:28 | Instrumental |
| 2 | Old Blood Rising | 4:21 | Instrumental |
| 3 | The Forest Is Alive | 5:19 | Instrumental |
| 4 | Mielikki | 1:43 | Instrumental |
| 5 | Endless Exile (feat. Maria Chiara Argirò) | 3:36 | Featured vocal |
| 6 | Old Man's Secrets | 2:37 | Instrumental |
| 7 | Walkers of the Isles | 2:08 | Instrumental |
| 8 | A Place I Almost Know (feat. Maria Chiara Argirò) | 3:28 | Featured vocal |
| 9 | Something Out of Nothing | 0:58 | Instrumental |
| 10 | The Shadow of a Man | 2:04 | Instrumental |
| 11 | Under the Roots | 4:02 | Instrumental |
| 12 | Teach Me to Disappear (feat. Maria Chiara Argirò) | 7:02 | Featured vocal |
The pacing is worth studying before you hit play, because the album isn't built as a sequence of singles.
| Runtime Band | Tracks | Count | What It Means for Listening |
|---|---|---|---|
| Under 1 minute | Something Out of Nothing (0:58) | 1 | A transition piece, not a destination |
| 1:00–2:59 | Landing, Mielikki, Old Man's Secrets, Walkers of the Isles, The Shadow of a Man | 5 | Short, focused mood sketches |
| 3:00–4:59 | Old Blood Rising, Endless Exile, A Place I Almost Know, Under the Roots | 4 | The album's core statements |
| 5:00 and up | The Forest Is Alive, Teach Me to Disappear | 2 | Long-form builds that close out ideas |
Notice where the weight sits. The longest track, "Teach Me to Disappear," runs over seven minutes and lands last. The second-longest, "The Forest Is Alive," sits near the front. That's a deliberate shape: a slow opening stretch, a dense middle, and a long exhale at the end.
The Sound: Five Sources, Endlessly Reworked
The album is built from a small, almost stubbornly limited toolkit. Understanding it makes the record easier to hear.
| Source | Role in the Mix |
|---|---|
| Piano | The acoustic foundation — usually the first thing you hear clean |
| Cello | Low-end weight and a human, woody warmth |
| Strings | Sustain and swell; carries tension through long passages |
| Analog synth | The destabilizer — pitching, layering, and distortion |
| Voice | The most human element and, at times, the most processed |
Everything starts acoustic and real. Then it gets pitched, layered, and distorted until you genuinely can't tell what you're hearing anymore. That's not sloppiness; it's the entire thesis of the score. The ground is shifting under Anna as she returns to a place she knows and finds it wrong. The music does the same thing to your ear.
This is why headphones help. On laptop speakers, the processed layers blur into one texture. On headphones, you can hear individual sources being stretched and re-pitched in real time, which is where the album's craft lives.
No Kantele, No Folk Imagery — and That's the Point
If you expected a troll-and-forest soundtrack to arrive with traditional instruments and folk melodies, this one deliberately goes the other way. There's no kantele here, and no attempt to quote folk imagery directly. Carmosino chose a modern, cinematic palette instead.
That's a harder trick than it sounds. The album still has to carry the weight of old myths without ever playing them straight. It does that through track titles like "Mielikki" and "Walkers of the Isles," which gesture at deep folklore, while the music underneath stays resolutely contemporary.
| What You Might Expect | What the Album Actually Delivers |
|---|---|
| Traditional folk instruments | Piano, cello, strings, analog synth, voice |
| Heroic, sweeping themes | Interior, first-person emotional states |
| A memorable melody per area | Slow builds, textures, and timbral shifts |
| A short bonus album | 12 tracks, roughly 40 minutes |
How to Listen to the Among the Trolls Original Soundtrack
A few practical approaches make the album land harder:
- First pass, in order, no game running. The sequencing is intentional, and shuffling breaks it.
- Second pass, vocal tracks as a set. Play tracks 5, 8, and 12 back to back and you'll hear how Argirò's voice is used as a recurring thread rather than a one-off feature.
- Third pass, headphones, low volume. The distortion work is subtle and rewards quiet attention.
- Background pass, while exploring or late at night. This is where the album earns its runtime as atmosphere.
| Listening Mode | What to Play | Why It Works |
|---|---|---|
| Analytical | Tracks 2, 3, 11 | Long instrumental builds with audible processing |
| Emotional | Tracks 5, 8, 12 | The vocal arc, start to finish |
| Background | Full album, in order | Consistent mood with no jarring shifts |
| Sampler | Track 5 ("Endless Exile") | Best single representation of the score |
Where to Get the Among the Trolls Original Soundtrack
The album is available through the Among the Trolls Soundtrack page on Steam, priced at $3.99 and listed with high-quality audio support. It's published as downloadable content for Among the Trolls, so the base game is not included with the purchase.
If you're the kind of listener who buys a soundtrack after finishing the game, the ordering is straightforward: grab the game, then grab the music. If you're the kind of listener who buys scores for their own sake, nothing here requires you to have played anything first.
FAQ
Is the Among the Trolls Original Soundtrack included with the game? No. It's sold as additional content, and the store listing is explicit that the base game is not included. You can buy it on its own, but you'll need to purchase Among the Trolls separately if you want to play.
Who composed the music? Daniele Carmosino is credited as both artist and composer, with the release published under the 505 Games label. Vocalist Maria Chiara Argirò features on three tracks: "Endless Exile," "A Place I Almost Know," and "Teach Me to Disappear."
How long is the album, and how many tracks does it have? Twelve tracks totaling roughly forty minutes. The shortest is "Something Out of Nothing" at 58 seconds; the longest is "Teach Me to Disappear" at 7:02.
Does the Among the Trolls Original Soundtrack sound like folk music? No — and that's intentional. The score avoids traditional folk instrumentation in favor of a modern, cinematic palette built from piano, cello, strings, an analog synth, and voice. It carries the weight of old myths without quoting them directly.
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